Laughing Atoms, Laughing Matter: Lucretius' De Rerum Natura
and Satire offers the first comprehensive examination of Roman epic poet Lucretius' engagement with satire. Author T. H. M. Gellar-Goad argues that what has often been understood as an artfully persuasive exposition of Epicurean philosophy designed to convert the uninitiated is actually a mimesis of the narrator's attempt to effect such a conversion on his internal narrative audience--a performance for the true audience of the poem, whose members take pleasure from uncovering the literary games and the intertextual engagement that the performance entails.
Gellar-Goad aims to track
De Rerum Natura along two paths of satire: first, the broad boulevard of satiric literature from the beginnings of Greek poetry to the plays, essays, and broadcast media of the modern world; and second, the narrower lane of Roman verse satire,
satura, beginning with early authors Ennius and Lucilius and closing with Flavian poet Juvenal. Lucilius is revealed as a major, yet overlooked, influence on Lucretius.
By examining how Lucretius' poem employs the tools of satire, we gain a richer understanding of how it interacts with its purported philosophical program.