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The legacy of emigrés in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the schol...Savoir plus
The national cinemas of Czechoslovakia and East Germany were two of the most vital sites of filmmaking in the Eastern Bloc, and over the course of two...Savoir plus
Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and suc...Savoir plus
The legacy of emigrés in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the schol...Savoir plus
Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and suc...Savoir plus
As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium-a relationship that has gro...Savoir plus
The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the c...Savoir plus
Audiences for contemporary German film and television are becoming increasingly transnational, and depictions of German cultural history are moving be...Savoir plus
The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the c...Savoir plus
Josef von Sternberg's 1930 film The Blue Ange l ( Der blaue Engel ) is among the best known films of the Weimar Republic (1919-1933). A significant la...Savoir plus
Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popula...Savoir plus
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke's films, situ...Savoir plus
Peter Lorre described himself as merely a 'face maker'. His own negative attitude also characterizes traditional perspectives which position Lorre as ...Savoir plus
Peter Lorre described himself as merely a 'face maker'. His own negative attitude also characterizes traditional perspectives which position Lorre as ...Savoir plus
The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity o...Savoir plus
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since,...Savoir plus
In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the Germ...Savoir plus
Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and histor...Savoir plus
The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity o...Savoir plus
The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for ...Savoir plus
From their very inception, European cinemas undertook collaborative ventures in an attempt to cultivate a transnational "Film-Europe." In the postwar ...Savoir plus
With internationalist aspirations and wide-ranging historical perspectives, East German films about artists and their work became hotly contested spac...Savoir plus
From their very inception, European cinemas undertook collaborative ventures in an attempt to cultivate a transnational "Film-Europe." In the postwar ...Savoir plus
Best known for his 1979 film David , Peter Lilienthal was an unusual figure within postwar filmmaking circles. A child refugee from Nazi Germany who g...Savoir plus