Description

Influencing a whole generation of artists, musicians and theorists, since the late 1970s Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video and installation. Born in 1955, Marclay first became internationally known in the 1980s for his sculptures and reassembled readymades generated from evocative materials such as fragmented vinyl records or album covers. His ambitious multi-screen installations such as Video Quartet (2002), Crossfire (2007) and The Clock (2010) have entranced audiences into contemplating the complexities of time and narrative and the role of sound in their experience and representation. Marclay has also collaborated musically with Shelley Hirsch, the Kronos Quartet, Zeena Parkins, Elliott Sharp, Sonic Youth and John Zorn, among many others.

Edited by curator and critic Jean-Pierre Criqui, this volume brings together the artist’s statements and conversations with Bice Curiger, Jan Estep, Russell Ferguson, Kim Gordon, Douglas Kahn, Frances Richard, Philip Sherburne, Michael Snow, Lars Söderkvist, David Toop and Philip von Zweck. Writings on all aspects of Marclay’s work are provided by Clément Chéroux, Dennis Cooper, Christoph Cox, Jean-Pierre Criqui, Noam M. Elcott, Russell Ferguson, Douglas Kahn, Rahma Khazam, Wayne Koestenbaum, Rosalind Krauss, Thomas Y. Levin, Tom Morton, Ingrid Schaffner, Olivier Schefer, Zadie Smith, David Toop and Rob Young.