French film in the 1980s might have lacked the invention of the New Wave but gritty police thrillers and nostalgic costume-dramas such as
Jean de Florette and
Manon des Sources brought French cinema to a wider audience than ever before.
This landmark study is not merely a history of French film in the 1980s, but offers a set of critical essays on the crisis of masculinity in contemporary French culture, and its interrelationship with nostalgia. After a brief overview both of the crisis in the French film industry during the 1980s, and of the socio-political crisis of masculinity in the wake of 1970s feminism, the book is divided into three sections: the retro-nostalgic film, the
Polar, or police thriller, and the comic film.
Films studied in detail include
Diva, Subway, Coup de foudre, Vivement dimanche!, La Vie est un long fleuve tranquille, and
Tenue de soirée, while the volume covers actors from Gérard Depardieu, Daniel Auteuil, and Yves Montand to Isabelle Adjani, Isabelle Huppert, and Emmanuelle Béart.