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In Fuzzy Fiction Hippolyte examines a set of avant-garde French writers--Jean-Philippe Toussaint, Marie Redonnet, Éric Chevillard, François Bon, and Antoine Volodine--whose aesthetic differences, he argues, exemplify the current uses of vagueness in contemporary French literature. Far from forsaking avant-gardism or pandering to the reactionary values of commercial publications, fuzzy fiction, Hippolyte suggestively argues, exceeds and subverts traditional boundaries between the avant-garde and mainstream fiction. A bold innovation in the domain of the contemporary novel, fuzzy fiction inaugurates a richly diverse discourse for the twenty-first century.
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