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Vous voulez être sûr que vos cadeaux seront sous le sapin de Noël à temps? Nos magasins vous accueillent à bras ouverts. La plupart de nos magasins sont ouverts également les dimanches, vous pouvez vérifier les heures d'ouvertures sur notre site.
- Retrait gratuit dans votre magasin Club
- 7.000.0000 titres dans notre catalogue
- Payer en toute sécurité
- Toujours un magasin près de chez vous
Description
KUMI OGURO,
A BRIEF PHYSIOGNOMY OF IMAGES
‘so I assumed there would be, at some point,
a door with a glittering knob,
but when this would happen and where I had no idea.’
Louise Glück, Faithful And Virtuous Night, 2014.
One could easily establish quite a precise typology by looking at the images collected and placed in HESTER by Kumi Oguro (the word ‘image’ is used on purpose here, instead of photography or photographic work). Here, we can see – and this list is not exhaustive – female figures, parts of bodies, closed-off interiors that are often empty, abandoned or run-down, spaces, floors and wide-open ceilings, plays on natural or artificial light, the presence of mirrors that are concealed to varying degrees, trivial accessories such as fabrics, curtains, clothes, woollen threads, cotton, chairs and armchairs that have become worn with use, small figurines, marbles or festive confetti, primary colours and other shades that are, frankly, lacklustre. But, proceeding in this manner, would we knowingly enter this world, of which Kumi Oguro shows us carefully designed and selected sections? A world – a story – that is equally about what she wants to reveal, but which she does not describe to us, and what we are encouraged to discover on our own.
Excerp from tekst from Alain Delaunois
A BRIEF PHYSIOGNOMY OF IMAGES
‘so I assumed there would be, at some point,
a door with a glittering knob,
but when this would happen and where I had no idea.’
Louise Glück, Faithful And Virtuous Night, 2014.
One could easily establish quite a precise typology by looking at the images collected and placed in HESTER by Kumi Oguro (the word ‘image’ is used on purpose here, instead of photography or photographic work). Here, we can see – and this list is not exhaustive – female figures, parts of bodies, closed-off interiors that are often empty, abandoned or run-down, spaces, floors and wide-open ceilings, plays on natural or artificial light, the presence of mirrors that are concealed to varying degrees, trivial accessories such as fabrics, curtains, clothes, woollen threads, cotton, chairs and armchairs that have become worn with use, small figurines, marbles or festive confetti, primary colours and other shades that are, frankly, lacklustre. But, proceeding in this manner, would we knowingly enter this world, of which Kumi Oguro shows us carefully designed and selected sections? A world – a story – that is equally about what she wants to reveal, but which she does not describe to us, and what we are encouraged to discover on our own.
Excerp from tekst from Alain Delaunois
Spécifications
Parties prenantes
- Auteur(s) :
- Editeur:
Contenu
- Nombre de pages :
- 104
- Langue:
- Multilingue
Caractéristiques
- EAN:
- 9789464363036
- Date de parution :
- 10-09-21
- Format:
- Livre broché
- Dimensions :
- 210 mm x 263 mm
- Poids :
- 410 g
