Weaving history, ethnography, documentary photograph, and autobiography, Neumann exposes the roots -- the personal and social dimensions -- of America's pursuit of leisure. He shows how people visiting the Grand Canyon create their own experience, even while they are affected by one hundred years of social history and cultural expectations. On the Rim examines the lines between progress and nostalgia, science and spirituality, nature and culture, authenticity and mass production, and work and leisure -- all of which crisscross the tourist experience.