Winner of the 2016 Association for Asian American Studies Award for Best Book in Cultural Studies
The Exquisite Corpse of
Asian America
addresses this central question: if race has been settled as a legal or social
construction and not as biological fact, why do Asian American artists,
authors, and performers continue to scrutinize their body parts? Engaging
novels, poetry, theater, and new media from both the U.S. and
internationally--such as Kazuo Ishiguro's science fiction novel Never Let Me
Go or Ruth Ozeki's My Year of Meats and exhibits like that of Body
Worlds in which many of the bodies on display originated from Chinese prisons--Rachel
C. Lee teases out the preoccupation with human fragments and posthuman
ecologies in the context of Asian American cultural production and theory. She
unpacks how the designation of "Asian American" itself is a mental construct
that is paradoxically linked to the biological body.