Description

After the Supreme Court's rejection of legal movie censorship in the 1950s and the demise of the Hays Production Code in the 1960s, various public groups have emerged as media watch dogs, replacing nearly all other sources of control. Responding to explicit violence against women, negative stereotypes of gay and lesbian images, racist representations, and blasphemous interpretations of the Bible, groups from both Left and Right have staged protests in front of theatres and boycotted movie studios. The New Censors shows how groups on the Left empowered by social movements in the 1960s, and groups on the Right propelled by the successes of the New Christian Right and The Moral Majority, have used similar strategies in attempting to control movie content.