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Trompe l'oreille. Researching innovative strategies towards 'illusive' sound-process composition
Stephan Weytjens, Jeroen D'Hoe
Livre | Néerlandais
26,50 €
Description
TROMPE L'OREILLE
RESEARCHING INNOVATIVE STRATEGIES TOWARDS "ILLUSIVE" SOUND-PROCESS COMPOSITION
A composer's imagination reaches beyond "realistic" physical laws, and aims at illusory, groundbreaking sound creations and sensations. An illusory sound process ("trompe l'oreille" effect, literally, ear-deceiving) can be created by breaking apart the unambiguous organisation of a musical parameter (pitch, duration, timbre, dynamic, etc.) or the unambiguous coherence between different musical parameters, and, consequently, rendering it diffuse, asynchronous, ambiguous, indistinct. This way, e.g., a multidimensional time organisation, realised through the simultaneous superimposition of diverse textural layers, all with their own (autonomous) tempos and rhythmic characteristics, can generate an estranging sound experience, since a regular, distinct, unambiguous time reference "dissolves" (during the act of listening). The CREA research project "Trompe l'oreille", investigating and creating innovative strategies towards "illusive" sound-process composition, aims at better understanding these fascinatingly ear-deceiving and ultimately creative sound experiences.
RESEARCHING INNOVATIVE STRATEGIES TOWARDS "ILLUSIVE" SOUND-PROCESS COMPOSITION
A composer's imagination reaches beyond "realistic" physical laws, and aims at illusory, groundbreaking sound creations and sensations. An illusory sound process ("trompe l'oreille" effect, literally, ear-deceiving) can be created by breaking apart the unambiguous organisation of a musical parameter (pitch, duration, timbre, dynamic, etc.) or the unambiguous coherence between different musical parameters, and, consequently, rendering it diffuse, asynchronous, ambiguous, indistinct. This way, e.g., a multidimensional time organisation, realised through the simultaneous superimposition of diverse textural layers, all with their own (autonomous) tempos and rhythmic characteristics, can generate an estranging sound experience, since a regular, distinct, unambiguous time reference "dissolves" (during the act of listening). The CREA research project "Trompe l'oreille", investigating and creating innovative strategies towards "illusive" sound-process composition, aims at better understanding these fascinatingly ear-deceiving and ultimately creative sound experiences.
Spécifications
Parties prenantes
- Auteur(s) :
- Editeur:
Contenu
- Nombre de pages :
- 64
- Langue:
- Néerlandais
Caractéristiques
- EAN:
- 9789033495236
- Date de parution :
- 24-02-14
- Format:
- Livre
