Vous voulez être sûr que vos cadeaux seront sous le sapin de Noël à temps? Nos magasins vous accueillent à bras ouverts. La plupart de nos magasins sont ouverts également les dimanches, vous pouvez vérifier les heures d'ouvertures sur notre site.

Retrait gratuit dans votre magasin Club
7.000.000 titres dans notre catalogue
Payer en toute sécurité
Toujours un magasin près de chez vous

Retrait gratuit dans votre magasin Club
7.000.0000 titres dans notre catalogue
Payer en toute sécurité
Toujours un magasin près de chez vous

Magasins

Wishlist

Magasins

Wishlist

Chercher

Livres

Ebooks

Papeterie

Jeux

Cadeaux

Tous les produits

Dédicaces

Jobs

Articles

29,45 €

+ 58 points

Livraison 1 à 2 semaines

Passer une commande en un clic

Payer en toute sécurité

Livraison en Belgique: 3,99 €

Livraison en magasin gratuite

Description

More than ever before, scientific and technological innovations are playing increasingly important roles in our lives. New products developing today will fundamentally shape the world around us and manipulate our lived experience in the future. In twenty years, we could be zooming on hoverboards to visit real-life Jurassic Parks or navigating with our optic-implanted GPS systems. In this age of blossoming innovation, however, many wonder: how and why are these important projects chosen? And what are the ultimate consequences of this process?

In Unreal Objects, Kate O'Riordan unpacks these crucial questions and fills a gap in the theorization of digital materialities. Through her investigation, she discovers that many objects--such as genomic projects, artificial meat, and re-creation of extinct species--cannot be granted scientific legitimacy and developed without extraordinary amounts of media, celebrity endorsements, and private investment. As a result of these filters, only certain projects take center stage when it comes to funding and political attention. O'Riordan calls these unreal objects; scientific projects and technologies whose utopian visions for the future are combined with investment and materialization in the here and now. By separating the media hype from the reality, O'Riordan shows how the huge amount of attention paid to these unreal objects hides more pressing social injustices and inequalities, while at the same time conjuring utopian visions for how life might be lived.