Description

This fascinating study examines the rise of fantastic and frénétique literature in Europe during the nineteenth century, introducing readers to lesser-known writers like Paul Féval and Charles Nodier, whose vampires, ghouls, and doppelgängers were every bit as convincing as those of the more famous Bram Stoker and Ann Radcliffe, but whose political motivations were far more serious. Matthew Gibson demonstrates how these writers used the conventions of the Gothic to attack both the French Revolution and the rise of materialism and positivism during the Enlightenment. At the same time, Gibson challenges current understandings of the fantastic and the literature of terror as promulgated by critics like Tzvetan Todorov, David Punter, and Fred Botting.