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Vous voulez être sûr que vos cadeaux seront sous le sapin de Noël à temps? Nos magasins vous accueillent à bras ouverts. La plupart de nos magasins sont ouverts également les dimanches, vous pouvez vérifier les heures d'ouvertures sur notre site.
- Retrait gratuit dans votre magasin Club
- 7.000.0000 titres dans notre catalogue
- Payer en toute sécurité
- Toujours un magasin près de chez vous
Description
Some photographers take their pictures; others make them. Neither notion seems right in describing Stanford Lipsey's work, however, for the spirit behind these pictures is one of natural discovery, something that comes before process.
-Anthony Bannon, Director of Eastman House Stanford Lipsey's passion for fine art photography began in Aspen, Colorado 30 years ago with the sight of a simple pine cone seen through a macro lens. Ever since this revelatory moment, Lipsey has dedicated himself to revealing simple truths and a visual language of the natural world hidden around us. Whether it be cloud formations in an azure sky, light ripples in shimmering water, a dense pine forest, gentle ice crystals, or austere glass architecture, Lipsey's photographs suggest a sense of the inexplicable universal links that bond the elements and matter. Affinity of Form, Lipsey's first monograph, brings that vision to bear on a wide array of commonplace subjects from our everyday world. In the vein of Aaron Siskind, Lipsey's camera fixes frequently on surfaces, abstracting them in such a way that they become visual objects unto themselves, independent of their sources and newly compelling. Other images take a longer view, allowing monumental structures, both natural and man-made, to revert to basic shapes. A newspaperman by profession, Lipsey draws on a long-honed ability to capture events at precisely the right moment-in this case, the moment when mundane objects cease to be themselves, transforming within the frame into something far more artful and mysterious. I'm rather eclectic in what I shoot, he says, but all forms of nature, abstracts, and architecture inspire me to create imagery that escapes the naked eye.
-Anthony Bannon, Director of Eastman House Stanford Lipsey's passion for fine art photography began in Aspen, Colorado 30 years ago with the sight of a simple pine cone seen through a macro lens. Ever since this revelatory moment, Lipsey has dedicated himself to revealing simple truths and a visual language of the natural world hidden around us. Whether it be cloud formations in an azure sky, light ripples in shimmering water, a dense pine forest, gentle ice crystals, or austere glass architecture, Lipsey's photographs suggest a sense of the inexplicable universal links that bond the elements and matter. Affinity of Form, Lipsey's first monograph, brings that vision to bear on a wide array of commonplace subjects from our everyday world. In the vein of Aaron Siskind, Lipsey's camera fixes frequently on surfaces, abstracting them in such a way that they become visual objects unto themselves, independent of their sources and newly compelling. Other images take a longer view, allowing monumental structures, both natural and man-made, to revert to basic shapes. A newspaperman by profession, Lipsey draws on a long-honed ability to capture events at precisely the right moment-in this case, the moment when mundane objects cease to be themselves, transforming within the frame into something far more artful and mysterious. I'm rather eclectic in what I shoot, he says, but all forms of nature, abstracts, and architecture inspire me to create imagery that escapes the naked eye.
Spécifications
Parties prenantes
- Auteur(s) :
- Editeur:
Contenu
- Nombre de pages :
- 112
- Langue:
- Anglais
Caractéristiques
- EAN:
- 9781576874592
- Date de parution :
- 26-05-09
- Format:
- Livre relié
- Format numérique:
- Genaaid
- Dimensions :
- 330 mm x 216 mm
- Poids :
- 1020 g
