
Radiant Nature contributes substantial new scholarship on the early work of Chilean artist Juan Downey (1940-93) through the exploration of works made between 1967 and 1975: interactive sculptures (1967-71); happenings and performances (1968-75); and the Life Cycle Installations (1970-71).
Key themes addressed here include the interaction between technology, aesthetics and the body as a means to forge more horizontal forms of participation and more ethical ways to interact with the environment.
Nous publions uniquement les avis qui respectent les conditions requises. Consultez nos conditions pour les avis.