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Music and Mirrored Hybridities
Cultural Communities Converging in French, German, and Turkish Stage Productions (17th-20th Century)
59,95 €
+ 119 points
Description
In early modern Europe, music-theatrical patterns of representing the foreign 'Other' helped shape relations with the Ottoman Empire. Accordingly, hybridity must be understood as a dynamic practice playing with cultural blends and borrowings, albeit possibly (re-)producing inequalities, ambiguities, and cliches. Representations of Ottomans/Turks appear as musical features emerging out of vague inspirations derived from Ottoman/Turkish music, creating a particular sound that could be decoded as 'Ottoman' or 'Turkish' by contemporary listeners. This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic 'Turkish scene' from Le Bourgeois gentilhomme (1670).
Spécifications
Parties prenantes
- Editeur:
Contenu
- Nombre de pages :
- 242
- Langue:
- Anglais
- Collection :
- Tome:
- n° 49
Caractéristiques
- EAN:
- 9783987400445
- Date de parution :
- 01-09-23
- Format:
- Livre relié
- Format numérique:
- Genaaid
- Dimensions :
- 170 mm x 239 mm
- Poids :
- 639 g
