In his critique of corporate greed and environmental devastation, of political incompetence and self-interest, and of the modern culture of simulation, celebrity and hype, Vizenor consistently proves himself to be unafraid to prod and provoke his audience. He can also be a difficult writer for new readers, due to his use of an idiosyncratic vocabulary and the ironic, oppositional, or deconstructive stance he adopts in texts that resist easy comprehension. Madsen offers here points of entrance for scholars, students, and general readers into the complex vocabulary and vision of Vizenor's work.
Madsen begins by addressing the key contexts within which Vizenor's work can be interpreted: his biography, the Anishinaabe tribal context of his thought, and the contemporary postmodern intellectual environment within which he writes. Madsen also explores her subject's neologisms, the complex lexicon he invents to convey his view of Native America. From there, she highlights Vizenor's achievements in each of the major literary genres in which he writes-- journalism, tribal history, cultural criticism, poetry, drama, and fiction--focusing on representative texts in each instance to provide detailed readings of Vizenor's distinctive style and language.